Tag Archives: Selina Kyle

The BAFTA EE Rising Star Awards – why you should be excited for the nominees

7 Jan

 

The shortlist has just been announced and now it’s in your hands to vote for your top newcomer to the world of film.

To help you make up your mind, here’s a little bit about each fantastic nominee…

 

Elizabeth Olsen.

Probably for the last twenty years she’s been known as the little sister to the extremely famous Olsen Twins and their numerous franchises. But, Elizabeth diligently stayed in school, she studied at the Tisch School of the Arts, and despite some smaller roles in the past, burst on to the scene at  the end of 2011 in the critically acclaimed Martha Macy May Marlene. Some would say she was robbed of an Oscar nod for her performance, but that hasn’t stopped her throughout 2012, other films such as Liberal Arts have been well received by critics and 2013 will be a big year for her with two films eagerly anticipated – Very Good Girls, with Dakota Fanning and the Western remake of Oldboy with Josh Brolin.

 

Andrea Riseborough

Working her way up the ladder with smaller parts in Made in Dagenham and Never Let Me Go, RADA graduate Andrea Riseborough has also starred in the ill-received remake of Brighton Rock and the even more ill-received W.E. (Madonna’s dire directorial outing). Although these have dive bombed at the box office, these film failures have been nothing to do with Riseborough’s talent, which resonates on-screen. She brings an air of old school talent, charm and dedication, from her early parts as Margaret Thatcher in The Long Walk to Finchley to her latest outing – Shadow Dancer, where she managed to pick up a well deserved BIFA prize for Best Actress. It’s clear that if she wins this award or not, Riseborough will have an exciting career ahead.

 

Juno Temple

Heralding from a film family, Juno Temple has managed to steadily work in a wide variety of films, from Killer Joe to The Dark Knight Rises (blink and you’ll miss her as Selina Kyle’s sidekick). Starting off as a child actress, as she’s got older she’s received critical acclaim for roles in films such as Atonement and Notes on a Scandal. Ever diverse Juno Temple is clearly an actress who likes to challenge herself and with American dark fantasy thriller Horns coming out later this year and also starring Daniel Radcliffe, it looks like 2013 is going to be very exciting for this actress.

 

Suraj Sharma

If you were going to be cast in one film to launch your career, Ang Lee’s Life of Pi was most certainly the pick of the bunch. Chosen over thousands of other hopefuls, nineteen year old Suraj Sharma commands the seas and a Bengal tiger in this epic tale of a boy lost at sea. Very few people could have played the part so well, and for a newcomer, he deserves all the praise he’s going to get for this film. Outstanding performance.

 

Alicia Vikander

Very few people can steel the show from Keira Knightley, but in Anna Karenina, Swedish actress Alicia Vikander does just that. Vikander’s Kitty is so genuine, sweet and compassionate towards Domhnall Gleeson’s Levin that she is easily the best thing about this film. Her next international film outing will be in The Seventh Son, opposite Ben Barnes, Julianne Moore and Jeff Bridges and its pretty clear that she’ll quickly be making a name for herself outside of her native Sweden in the months to come.

The BAFTA Awards takes place on the 10th February so make sure you follow @bafta to find out more details on how to cast your all important vote.

The Dark Knight Rises…in your living room…in time for Xmas

3 Dec

 

Screen Shot 2012-12-03 at 13.24.04

Plot: 

It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act.
But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane.

The Good:

The Dark Knight Rises finally comes home, literally, to our movie loving TV screens. Whether you have a Blu-Ray or plain old DVD player, this will most certainly be one hotly anticipated addition to your collection, and will most likely provide the filler Screen Shot 2012-12-03 at 13.20.01to many peoples stockings this Christmas season.

So how well does this final piece of Nolans puzzle fit into our home entertainment viewing needs? Quite well actually. Following the excitement of seeing the film initially in all its IMAX or cinema glory, taking this story into your own home allows you to fully appreciate the complexities of this film, more as a final chapter for this Batman trilogy rather than a stand out film in its own right.

From the opening “prologue” scene, thankfully one of the major improvements is the audio on Bane. A much clearer dialogue is apparent, without losing the edge and menace that his character holds. This was hugely important to rectify as it was potentially one of the worst things about this film in the cinema. It’s also a massive pet hate of mine! This sub-villain aside, on second viewing of this film, one begins to notice the clever linking of the majority of the characters, and their ability to go far and beyond what could have been quite base interpretations.

One of the bravest performances comes from Anne Hathaway. Her interpretation of Selina Kyle is so far removed from Michelle Pfeiffer’s original, and indeed any other character Hathaway has played in the past, that those who previously weren’t sure in her ability can be safe in the knowledge that she deserves her position as one of Hollywood’s heavyweight actresses. Selina Kyle provides, in this film, a confidence that counterbalances Christian Bales worn out, battered and bruised Batman, and with this brings back that element of “comic book fun” which this trilogy has in the majority steered away from – a quite refreshing turn throughout, which reminds you that this really is fantasy, not a bleak reality.

Joseph Gordon Levitt’s Blake, also maintains a strong supporting role, which upon second viewing you pay more attention too, and with so many key characters in this film, it is a testament to Levitt’s portrayal that you don’t forget about him. Additional supporting characters such as Michael Caine’s Alfred and Gary Oldman’s Commissioner Gordon take a slight step back from the previous films, but are none the less important to the carefully woven storyline.

One of the genius elements of Nolan’s re-versioning of this classic comic book caper, is his ability to see the long term future. Everything in its seven-year career has its own long term goal, and that all builds to one epic conclusion in this final film, without leaving you wondering what happened to “XX” character. As an audience member on this film’s first, second and even third viewing, you are still reminded that everything has its place. Alfred has to take a back seat in this film to allow Bruce to follow his fate to find some sort of solace and closing, and Marion Cotillard’s Miranda, had to return to avenge her fathers death and keep you guessing what the long term effects of Ra’s Al Ghul’s legacy really meant.

The Bad:

Although in this high end character crowded film, where you do have some exceptional performances, there are one or two Screen Shot 2012-12-03 at 13.20.12underplayed portrayals that may keep you wondering why they were included in the first place. Most notably is Juno Temple’s character Jen – a relation of sorts to Selina Kyle, but frustratingly never elaborated on. Additionally, the return of Cillian Murphy, who you may remember from Batman Begins as Dr Johnathan Crane / Scarecrow, who was locked into Arkham Asylum, never to be hear from again – until now. For a few brief minutes you see this character pose judgment on Gordon and other members of Gotham’s “good guys” but you do end up questioning what happens to this “dangerous criminal” when justice is restored to Gotham, surely he’s not someone you would still want on the loose?

Finally, although the majority of this film remains in a positive light, its DVD extras are light in a very different way. With only one extra feature which feels like a five minute reel of visual production notes, there are no elements such as: Deleted Scenes, EPK material etc which audiences may feel slightly short changed by, this is not the epic conclusion of featurette material one had hoped for!

 

The Ugly Truth:

Although you lack the feel of watching this film with a hundred other eager Batman fans, taking it home, having this final film in your possession still feels somewhat sacred, this is a film collection for a generation. It will be a long time before another director has the courage to take this film and turn it into something new, and for the time being, its unimaginable how that can be done! So for a film which triumphs in the majority with only a few minor bumps throughout, it will be something that audiences will go back to time and time again to remind themselves what a superhero vigilante could really do…but remember, no matter how real Nolan makes it, its just make believe, so don’t try this at home!

WRITTEN FOR RED CARPET NEWS TV