Tag Archives: Oscars

The Gospel of Gekko, Wall Street and other stories told on film… #film #greedisgood

23 Jan

Greed

To celebrate not only last weeks release but also triumph at the box office, for the new Scorsese flick The Wolf of Wall Street, I thought I’d take a quick look down the road of all things Wall Street, and in essence I came to one big conclusion… Greed is Good!

Well, Gordon Gekko may have not necessarily been right but he was certainly on to something. As made clear by the recently revealed 2014 Academy Awards nominees the concept of greed remains a relevant (and prevalent!) topic in film. The reason being that we can all relate, on some level, to feelings of avarice. It’s not as if we must hold those feelings on any intimate level, but it’s merely the fact that money, more often than not, is seen as the solution to, and the reason for so many problems.

And in just the past seven years alone, there have been a number of notable films that dive headfirst into the topic to expose and investigate each and every part of it. A majority of these have been nominated for Oscars in the past and they’re now still available for you to view on either Blu-ray/DVD or through on-demand video services. One of them, the great American Gangster, is featured on the growing (and rather unique) Picturebox, where a panel of movie buffs handpicks the choices and rotates them every two months or so. This allows for a constantly fresh stream of films, which means other picks on this list should show up on there soon.

Now, here are seven movies about greed from the past seven years.

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There Will Be Blood (2007)– This best film nominee brilliantly portrayed goldminer Daniel Plainview (Daniel Day-Lewis) conversion to the oil business—and the immense lust for greed that came with it. All you have to do is remember the once-popular phrase “I drink your milkshake!”, which Plainview growled to make it clear that he would stop at nothing to take down every other oil man in Southern California.

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American Gangster (2007)– As is the case with any film of this ilk, American Gangster deftly examines greed through the activities of a crime lord and the police. It’s an gripping, true-to-life look at how avarice can lead to corruption (the cops) and inevitable downfalls (Denzel Washington’s Frank Lucas) in 1970s Harlem, New York.

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Slumdog Millionaire (2008) – Greed serves as the driving force behind this Oscar winner through the juxtaposed lives of two brothers. One (Salim) sees money as the be-all, end-all solution and constantly chases it, no matter what. The other (Jamal) is fueled more by love. As you may guess, this leads to two very different outcomes for the siblings, with Salim struggling to overcome his feelings of avarice brought on by poverty.

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The Social Network (2010)– Rather than stick to greed in the purely monetary sense, the Social Network explores it through an unwavering desire to be accepted. That right there is the downfall of Mark Zuckerberg (Jesse Eisenberg), who pushes away and pulls in everyone he can in his endless quest to fit in. It becomes clear that he doesn’t mind the money, either, but it’s not all about the bottom line.

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              Margin Call (2011)– In looking at the financial crisis that slammed the U.S. in 2007 and 2008, this slept-on indie film takes on the greed that spurred said issues. In particular, it presents a long night at the start of the crisis and how one investment banking firm “dealt” with it. The only downside is that Margin Call could have better presented how everyone else (the rest of the world) was impacted.

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American Hustle (2013)– In the context of this film, the subject of avarice deals more with ambition and the desire to capture the “American dream” of success and wealth. But the “hard work” done by the movie’s protagonists (played by Christian Bale and Amy Adams) is conning everyone they can, in particular the also-greedy politicians they are trying to take down with the FBI.

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The Wolf of Wall Street  (2014)– As the trailers have shown you, Martin Scorcese’s latest is all about living in excess after amassing millions through working on Wall Street. That overindulgence leads to more than money, though, as sex and drugs also play a major role. It’s basically a crash course in Greed 101.

Giving 2014 a film focus @thereeldeal2014 #gonein60secs #film #movie #news #cinema

17 Jan

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Hello everyone,

Well its been a busy start to 2014 for me, I’ve brought together some of my favourite people and my favourite subject to develop a brand new film show for YouTube called The Reel. Its launching in February, but we wanted to start getting some of the content out there, including a very quick round up of the weeks hottest films that will be hitting the cinema every weekend.

So, introducing the pilot episode of Gone in 60 Seconds, our top tips to watch at the cinema this weekend. As it is a pilot episode please forgive the couple of technical hitches that have been happening (mainly the sound) but regardless of this you get the gist, so it would be great to see what you all think.

If you like this please do share it, follow our brand new Twitter handle @thereeldeal2014 and subscribe to the channel on YouTube. We want to create something fun for all you film fans out there, so hoping that this could be the start of something great! Stay tuned, wish us luck and please, do send me your thoughts and suggestions.

The Oscar Nominations ARE OUT! Here they are! #oscars2014 #film #awards #cinema

16 Jan

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The road to the Oscars has officially been paved! Not the most surprising list of nominees but great to see the predicted big hitters present in full force. Gravity and American Hustle are leading the way with 10 nominations, followed hotly by Steve McQueen’s 12 Years a Slave.

Its great to see a couple of surprises such as Her being nominated for Best Picture, and very little for Inside Lleywn Davis but hey! You can’t win them all. Also fab from the Brits with Sally Hawkins and the team behind Philomena picking up some nominations, so lets hope that they truly dominate on 2nd March 2014.

Best picture

12 Years a Slave

American Hustle

Captain Phillips

Dallas Buyers Club

Gravity

Her

Nebraska

Philomena

The Wolf of Wall Street

Best director

Alfonso Cuaron, Gravity

Steve McQueen, 12 Years a Slave

Alexander Payne, Nebraska

David O Russell, American Hustle

Martin Scorsese, The Wolf of Wall Street

Best actor

Christian Bale, American Hustle

Bruce Dern, Nebraska

Leonardo DiCaprio, The Wolf of Wall Street

Chiwetel Ejiofor, 12 Years a Slave

Matthew McConaughey, Dallas Buyers Club

Best actress

Amy Adams, American Hustle

Cate Blanchett, Blue Jasmine

Sandra Bullock, Gravity

Judi Dench, Philomena

Meryl Streep, August: Osage County

Best supporting actor

Barkhad Abdi, Captain Phillips

Bradley Cooper, American Hustle

Michael Fassbender, 12 Years a Slave

Jonah Hill, The Wolf of Wall Street

Jared Leto, Dallas Buyers Club

Best supporting actress

Sally Hawkins, Blue Jasmine

Jennifer Lawrence, American Hustle

Lupita Nyong’o, 12 Years a Slave

Julia Roberts, August: Osage County

June Squibb, Nebraska

Best animated feature

The Croods

Despicable Me 2

Ernest and Celestine

Frozen

The Wind Rises

Best foreign language film

The Broken Circle Breakdown

The Great Beauty

The Hunt

The Missing Picture

Omar

The Golden Globes, winners, losers and a few surprises! #film #awards #hollywood

13 Jan

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Well what a night it was last night. The first really big milestone (which most of the world is interested in – probably more because of the fashion than the film sadly!)  in the road to the Oscars. There were some expected big winners – Steve McQueen’s 12 Years a Slave picking up the coveted Best Film award, Jennifer Lawrence scooping Best Supporting Actress, putting her front of the queue for an Oscar second year in a row, Cate Blanchette for her tour de force masterpiece in Blue Jasmine and Leonardo Di Caprio for his outstanding performance as Jordan Belfort in The Wolf of Wall Street (this picked up Best Actor in the Musical or Comedy section). It was also great to see Alfonso Cuaron picking up the Best Director award for the technically astonishing Gravity, the only other real contender to pip Steve McQueen to the Oscar post later this year – that will be an interesting race!Screen Shot 2014-01-13 at 11.11.25

There were however a few surprises – which were totally deserved if not initially predicted. Firstly Matthew McConaughey picked up Best Actor for his role in Dallas Buyers Club, something I thought was slightly missed off the BAFTA radar, but to be fair is going to be released in February so its understandable why its not yet nominated on this side of the pond, never the less greatly recognised in Hollywood and makes the Oscars race that little bit more unpredictable. I was however hoping for Chiwetel Ejiofor to scoop the Best Dramatic Actor award for 12 Years A Slave, and also something for Michael Fassbender in a supporting category, but they were both content supporting their director as he, rather unprepared and breathlessly accepted the Best Film win (as if he was really THAT surprised!) Screen Shot 2014-01-13 at 11.07.41

Anyway, win, lose, it looked like a fantastic night with American Hustle doing very well and some of our homegrown talent being recognised across the pond – Idris you did very well!!!

What did you think of the Award winners, happy? Surprised? Annoyed? Let me know in the comments below, but for now, I’ll leave you with the full list of winners including the TV categories too (well done Breaking Bad and Michael Douglas for Behind the Candelabra!)

Film

Best Drama – 12 Years a Slave
Best Comedy/Musical – American Hustle
Best Actor in a Motion Picture (Drama): Matthew McConaughey – Dallas Buyers Club
Best Actor in a Motion Picture (Comedy/Musical): Leonardo DiCaprio –The Wolf of Wall Street
Best Actress in a Motion Picture (Drama): Cate Blanchett – Blue Jasmine
Best Actress in a Motion Picture (Comedy/Musical): Amy Adams –American Hustle
Best Supporting Actor in a Motion Picture:  Jared Leto – Dallas Buyers Club
Best Supporting Actress in a Motion Picture:  Jennifer Lawrence –American Hustle
Best Director: Alfonso Cuaron – Gravity
Best Original Screenplay: Spike Jonze – Her
Best Foreign Language Film: The Great Beauty
Best Animated Film: Frozen
Best Score: Alex Ebert – All Is Lost
Best Song: “Ordinary Love” – Mandela: Long Walk To Freedom

TV

Best TV Series (Drama): Breaking Bad
Best TV Series (Comedy): Brooklyn Nine-Nine
Best Actor in a TV Series (Drama): Bryan Cranston – Breaking Bad
Best Actor in a TV Series (Drama): Robin Wright – House of Cards
Best Actor in a TV Series (Comedy): Andy Samberg – Brooklyn Nine-Nine
Best Actor in a TV Series (Comedy): Amy Poehler – Parks And Recreation
Best Mini-Series or TV Movie: Behind The Candelabra
Best Actor in a Mini-Series or TV Movie: Michael Douglas – Behind The Candelabra
Best Actress in a Mini-Series or TV Movie: Elisabeth Moss – Top Of The Lake
Best Supporting Actor in a TV Series, Mini-Series, or TV Movie: Jon Voight – Ray Donovan
Best Supporting Actress in a TV Series, Mini-Series, or TV Movie: Jacqueline Bisset – Dancing On The Edge

What did you watch at the weekend? It really should have been this! #Gravity

11 Nov

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In space no one can hear you scream, or cry or even contact you…worst case scenario right? Well that’s what Sandra Bullock found in the electrifying Gravity which premiered at the London Film Festival and is now on general release. From its outset, the film follows a very simple storyline, however Director Alfonso Cuaron manages to create something truly magical with the use of brand new technology, which took four and a half years to perfect, and shoot, and boy was it worth it!

The story follows Dr. Ryan Stone (Sandra Bullock) who is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalski (George Clooney) in command of his last flight before retiring. On a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalski completely alone – tethered to nothing but each other and spiralling out into the blackness.Screen Shot 2013-11-11 at 10.56.37

From the moment the film starts, as an audience member you feel like you’re out there with them. My advice if you’re planning on catching a showing, is that it would be best to definitely sit as close to the screen as possible, or even better, catch it in IMAX format so you can feel completely absorbed, which makes the cinematic experience even more powerful. The genius element behind Gravity is that every movement feels weightless, and the camera panning is so seamless its like there is a crew out in space with them at all times. Cuaron most definitely has thought of every detail, and although the performances (particularly Sandra Bullock) are brilliant, it’s not the powerful acting that you walk away from feeling captivated by, it’s the thought of…how did they film that? To be honest, if I hadn’t have dug a little detail for clarification, and you told me it was shot in space, judging by the quality I’d be inclined to believe you – yes readers, Gravity is that good!

The 3D element is used in a subtle yet powerful way. The odd bits of debris that come hurtling towards you are not over used, but timed perfectly, as by that point, you’re probably on your second or third anxiety attack! With the 3D element, the depth in which Cuaron demonstrates space is amplified, and helps to make you feel claustrophobic in ironically the most open space in the universe, yet again proving that every element of this film has been plotted and explored extensively.Screen Shot 2013-11-11 at 10.58.43

It’s with little doubt that Sandra Bullock should lead the way at awards season, her performance, or should I say for the majority solo performance, is commanding, compassionate and determined. Her dance skills also came into play with demonstrating weightlessness within the various space capsules she eventually finds herself in, and judging by the way she pulls them off, that would have taken months of preparation and provides beautiful shots. On the other hand, George Clooney plays a brilliant supporting role as a cool and calm mentor to the rookie throughout.

The third element, which helps viewers truly absorb this film, is the sound design. It’s very rare that the audio elements can affect one in a way quite like this, but from the outset Glenn Freemantle’s inventive sound mix. From the opening credits the design is so over powering you feel it rattle in your chest only to then be faced with the vast universe and silence – its mind blowing how deeply this affects you from the outset, but very much sets the scene in a way never really been seen or heard before.Screen Shot 2013-11-11 at 10.59.40

So its not a question of whether or not you should bother to see Gravity or not, its more a question of how best to see it. The film has had the nod of authenticity from Buzz Aldrin and hailed as the greatest space movie ever made by James Cameron, so if you need clarification as to whether or not this is worth spending your hard earned cash on, then those testimonies should hopefully be enough. Undoubtedly there will be some sort of meteor storm around the Oscars and general award season and it will be very hard to find a competitor to pip Cuaron and his team to the awards for Best Picture, Best Director, Cinematography and Sound.

5 Stars.

Wreck-It Ralph’s 8 Bit Lane hits Brick Lane…

17 Jan

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So yesterday I managed to catch a screener of the Oscar nominated animated film Wreck-It Ralph. It was absolutely fantastic and well worth the praise it’s currently getting. I’m writing a review on the film in more detail shortly, but I wanted to share with you the genius marketing campaign Disney has produced for the film.

Last weekend in London’s Brick Lane, Disney transformed the streets into an 80’s computer game in this incredibly clever installation. Check out the video below to see how it was all done!

8 Bit Lane also showcased the world’s first Blipp-able building using Blippar’s visual discovery app. When Wreck-It Ralph fans ‘Blipped’ The Nicelanders house on the wall, the house emerged in 3D and they were invited to play a game featuring Ralph himself.

A little bit about the film itself….

“Wreck-It Ralph” takes moviegoers on a hilarious, arcade-game-hopping journey in which Ralph (voice of John C. Reilly)—tired of being overshadowed by Fix-It Felix, Jr. (voice of Jack McBrayer), the “good guy” star of their game—sets off on a quest to prove he’s got what it takes to be a hero.

“Wreck-It Ralph” features cameos from both classic and modern real-life games. Lending their voices, among others, are Roger Craig Smith (Ezio from franchise “Assassin’s Creed”) as Sonic the Hedgehog, and from “Street Fighter”—Reuben Langdon (“Street Fighter”) as Ken, Kyle Hebert (“Street Fighter”) as Ryu, and Gerald Rivers (“Street Fighter”) as M. Bison.

Great work Disney, and everyone, when Wreck-It Ralph hits cinema screens, I urge you to go watch, it is  fab!

 

The BAFTA EE Rising Star Awards – why you should be excited for the nominees

7 Jan

 

The shortlist has just been announced and now it’s in your hands to vote for your top newcomer to the world of film.

To help you make up your mind, here’s a little bit about each fantastic nominee…

 

Elizabeth Olsen.

Probably for the last twenty years she’s been known as the little sister to the extremely famous Olsen Twins and their numerous franchises. But, Elizabeth diligently stayed in school, she studied at the Tisch School of the Arts, and despite some smaller roles in the past, burst on to the scene at  the end of 2011 in the critically acclaimed Martha Macy May Marlene. Some would say she was robbed of an Oscar nod for her performance, but that hasn’t stopped her throughout 2012, other films such as Liberal Arts have been well received by critics and 2013 will be a big year for her with two films eagerly anticipated – Very Good Girls, with Dakota Fanning and the Western remake of Oldboy with Josh Brolin.

 

Andrea Riseborough

Working her way up the ladder with smaller parts in Made in Dagenham and Never Let Me Go, RADA graduate Andrea Riseborough has also starred in the ill-received remake of Brighton Rock and the even more ill-received W.E. (Madonna’s dire directorial outing). Although these have dive bombed at the box office, these film failures have been nothing to do with Riseborough’s talent, which resonates on-screen. She brings an air of old school talent, charm and dedication, from her early parts as Margaret Thatcher in The Long Walk to Finchley to her latest outing – Shadow Dancer, where she managed to pick up a well deserved BIFA prize for Best Actress. It’s clear that if she wins this award or not, Riseborough will have an exciting career ahead.

 

Juno Temple

Heralding from a film family, Juno Temple has managed to steadily work in a wide variety of films, from Killer Joe to The Dark Knight Rises (blink and you’ll miss her as Selina Kyle’s sidekick). Starting off as a child actress, as she’s got older she’s received critical acclaim for roles in films such as Atonement and Notes on a Scandal. Ever diverse Juno Temple is clearly an actress who likes to challenge herself and with American dark fantasy thriller Horns coming out later this year and also starring Daniel Radcliffe, it looks like 2013 is going to be very exciting for this actress.

 

Suraj Sharma

If you were going to be cast in one film to launch your career, Ang Lee’s Life of Pi was most certainly the pick of the bunch. Chosen over thousands of other hopefuls, nineteen year old Suraj Sharma commands the seas and a Bengal tiger in this epic tale of a boy lost at sea. Very few people could have played the part so well, and for a newcomer, he deserves all the praise he’s going to get for this film. Outstanding performance.

 

Alicia Vikander

Very few people can steel the show from Keira Knightley, but in Anna Karenina, Swedish actress Alicia Vikander does just that. Vikander’s Kitty is so genuine, sweet and compassionate towards Domhnall Gleeson’s Levin that she is easily the best thing about this film. Her next international film outing will be in The Seventh Son, opposite Ben Barnes, Julianne Moore and Jeff Bridges and its pretty clear that she’ll quickly be making a name for herself outside of her native Sweden in the months to come.

The BAFTA Awards takes place on the 10th February so make sure you follow @bafta to find out more details on how to cast your all important vote.

Ones to watch in 2013…

5 Jan

Happy New Year Film Fans!

So it’s been a great 2012 in the world of film, and to properly finish it off, I was lucky enough to feature on Channel 5 News at the end of December to chat about my favourite Christmas film to watch over the festive period. I decided that my top two films had to be those that were most nostalgic and memorable to me rather than those that were just critically acclaimed, and I’m sure a lot of twenty-somethings who grew up with these films will probably feel the same.

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So, I chose, first and foremost, Home Alone – the star making turn from Macaulay Culkin. I remember everything about this film, from the opening musical score to the amazing traps Kevin McAllister managed to set for bungling burglars Joe Pesci and Daniel Stern. This is a film, which turns aScreen Shot 2013-01-04 at 14.03.19potentially tragic circumstance into something that becomes one of the most well remembered modern slapstick Christmas comedies of all time.

The other film that is important to me, but not always remembered as a Christmas film (but most certainly is), is Hook. Robin Williams plays the boy who actually did grow up, and it’s a tale of self-belief and acceptance with a lot of fun thrown in. Again, it’s a star-studded cast with Julia Roberts, Bob Hoskins and Dustin Hoffman easily putting any panto Captain Hook to shame. It’s a film that I have always returned to and watched, again, and again and again, and will probably always continue to do so.

Screen Shot 2013-01-04 at 14.04.02 Anyway, if you managed to catch these two films over the Xmas period, well done you… you took my good advice, and if you don’t have these in your Blu-Ray or DVD collection, go get them in the January sales – they should be staple additions to your collection! But its 2013 now, and what a year of films we have ahead.

Hope you’re excited, if not, I wanted to share a list of my most anticipated films for the first half of the year, so you know what you have to look forward to over the next six months:

Les Miserables

Musical Theatre fans need wait no longer for this luscious retelling of the Victor Hugo book/Cameron MacKintosh stage phenomenon. I’ve seen it, and as a massive fan of the show liked it, but never the less managed to still pick holes in the fact that its never quite going to live up to the musical that I love and admire so dearly.

This film will be a must see for any fans of the show, and for anyone new and intrigued about this concept, you’ll be viewing an almost certain Oscar winning performance from Anne Hathaway as Fantine, and will hopefully enjoy this star-studded cast lead by Hollywood favourite Hugh Jackman. But be prepared, it’s verging on the three-hour mark, with little spoken dialogue and no interval!

For my full review check out my earlier blog post:  https://rebeccaperfectfilmpresenter.wordpress.com/2012/12/18/476/

Les Miserables hits cinema screens 11th January 2013

Django Unchained

It may contain a silent “d” but Django Unchained is causing plenty of controversy over its extensive use of the “N” word in this  American slavery based story. Starring firm favourites Leonardo DiCaprio, Jamie Foxx, and Christoph Waltz, this most certainly should be a must for any Tarantino fans – and I will be front of the queue.

Hailed as one of Tarantino’s best films by those who have seen it, it’s probably not for the faint hearted but will be an interesting and daring take on a very difficult subject matter.

Django Unchained hits cinemas 18th January 2013.

Zero Dark Thirty

Remember when The Hurt Locker came out and the Oscars hosted the biggest David and Goliath showdown between Avatar director and “King of the World” James Cameron and ex-wife Kathryn Bigelow? Well triumphant Bigelow is back with a bold production looking at Al-Quaeda terrorism and the hunt for the most dangerous man in the world.

Starring Jessica Chastain and Joel Edgerton, Zero Dark Thirty is already causing considerable awards buzz and as the critics screenings have just started we are starting to see the influx of glowing reviews as well as some further questioning from government forces into the level of  information exchanged between Bigelow’s team and the CIA – which probably means this film is verging more on fact than fiction and that we should probably keep a keen eye out when watching.

If you remain intrigued, then you only have to wait until the end of the month as Zero Dark Thirty hits cinema screens on 25th January 2013. Watch out Homeland…

Warm Bodies

I really hope this doesn’t turn out to be a big, fat, zombie turkey, because the trailer looks lots of fun. Nicholas Hoult moves on from Skins, About a Boy and UK territory altogether as he takes on this lead in this adaptation from the popular Issac Marion book of the same name.

The basic premise is that a zombie manages to prove that he’s not all gore and stunted walking as he falls in love with a human girl and gradually cures himself as a result – what will happen to the rest of the human race? We’ll just have to see…but rest assured it will probably be better than Hoult’s other 2013 film – Jack and the Giant Killer!

Warm Bodies ventures on to our cinema screens on the 8th February 2013.

The Great Gatsby

Speaking of book adaptations, F.Scott Fitzgerald’s classic has had a few re-tellings, but if Baz Luhrmann is anything to go by, this is going to be a Moulin Rouge visual feast…lets just hope it has substance to its style.

The trailer looks magnificent, and with a star-studded cast such as Leonardo DiCaprio in the titular role, Tobey Maguire as Nick, Carey Mulligan as Daisy, we’ll have to wait and see whether or not this takes its place as the biggest film of Summer 2013.

The Great Gatsby swings onto cinema screens ever so stylishly on the 17th May 2013.

Star Trek: Into Darkness

If you, like me, were pleasantly surprised by JJ Abrams re-versioning of this sci-fi series, then you’ll be just as excited to see what the directors next installment has in store for us all.

With the ever cryptic addition of British actor Benedict Cumberbatch (yes Sherlock fans get excited) as one of the baddies, it will be great to see what happens as Chris Pine and Zachary Quinto once again feed into the “Captains log” (sorry!) with their next adventure.

Star Trek into Darkness hits screens on 17th May 2013

Man of Steel

We’ll sort of forgive Zack Snider for Sucker Punch, now that he’s under the close watch of Christopher Nolan for Man of Steel. The trailer looks Batman Begins esq – so I can’t help but feel uber excited for this. Superman isn’t one of DC Comic’s best superheroes in my opinion, but over the years most of the films have done ok…

Hopefully Man of Steel will launch Clapham boy Henry Cavill to the A-List and no longer will he be losing out as one of the last two at every audition he attends (this happened apparently in Bond and Twilight amongst others – poor boy!) Plus the ever diverse Amy Adams steps up as Lois Lane – cannot wait!!

Man of Steel flies into action on 14th June 2013.

 

So just a few snippets of big ones to watch over the next six months. There’s also lots of offerings from World War Z through to Pacific Rim, Oblivion, Evil Dead and Welcome to the Punch – 2013 is shaping up to be a very strong year for films, so as ever, enjoy watching all is on offer, I know I will!

 

A Night at the Museum – Well, the London Film Museum

21 Dec

 

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Ever wondered what makes British film so magical? Well, London as a Capital City has a huge part to play in making it what it is today, and to celebrate, The London Film Museum launches its Lights Camera Action! Exhibition in Covent Garden just in time for Christmas.

Being lucky enough to take a sneak peek around last night, I discovered that audiences visiting this exhibition will be able to follow a number of different themes, such as “Working London, Royal London, Musical London”, which help make British Film, set in London something that isn’t just magical, but iconic for many years, past, present and future.

 

Me blending in slightly with the wonderful Union Jack Mini on display

Me blending in slightly with the wonderful Union Jack Mini on display

As you enter the exhibition you’ll be able to learn about the history of film, from Kodak to Lumiere, and get your hands on a couple of exhibits of early projectors and early animation techniques. Further into the exhibition the themes become more apparent and you will find yourself wandering into various sectioned off areas dedicated to a particular time in London-based film.

Just one of the many "themed" areas at this exhibition.

Just one of the many “themed” areas at this exhibition.

As interesting as this exhibition was, one of the things I love about a behind the scenes, educational experience of film, is the ability to see props, manuscripts, costumes and never before seen photographs/stills. At this exhibition, you see some of this, but in my mind, unfortunately not nearly enough. There are some great props like the throne from Cate Blanchett’s Elizabeth, or the original script from Lionel Bart’s Oliver. There are also a lot of film posters on display, but essentially, for the majority of the exhibition, you are reading text off a board with a few still shots beside it and some projections of famous London films in the background.

Some of the props on display - these were taken from Love Actually

Some of the props on display – these were taken from Love Actually

 

With all this being said, it’s still a very enjoyable exhibition, and for a small venue round the corner from Covent Garden, if you fancy something filmy and new this Christmas period, then its most definitely worth a look. Plus, it’s free!

The London Film Museum’s Lights, Camera Action exhibition opens 21st December.

Les Miserable – Film Review

18 Dec

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“Can you hear the people sing? Singing the song of angry men?” no? Well neither did I at this screening… as it was indeed more about jubilation as Les Miserables took from stage to screen in Tom Hoopers bold production.

The all singing story follows prisoner 24601 aka Jean Valjean (Hugh Jackman) ,imprisoned for stealing some bread for his sister, as he breaks parole and becomes a better man thanks to the compassion of a priest and a promise to young mother Fantine (Anne Hathaway) as she lays on her deathbed. The only problem being that persistent and law obsessive Javert is on a manhunt and nothing will stop him bringing this convict to justice.

Les Miserables is the longest running musical in history and its success is a testament to the story and the incredible musical numbers that expertly guide the audience through this complex tale. Tom Hooper has embraced this and done a valiant job in making it more widely available through the Screen Shot 2012-12-16 at 11.26.17silver screen. To this I’m grateful, but as a Les Miserable fan, I can’t help but be a little nit-picking. After all, some of the wonders of the theatre production can never really have the same impact on screen, but it was interesting to see where the balance shifted and what surprised me the most.

First, lets look at the casting. By far the standout performance is from Anne Hathaway, in fact her portrayal as Fantine is Oscar worthy. She managed to reduce me to a quivering wreck throughout I Dreamed a Dream. The raw desperation in her performance will move even the biggest sceptic. I have seen the stage show six times and I have never seen a performance quite like this and I challenge anyone to not shed a tear throughout this song. The power that Hathaway possesses in this is also balanced with the simplicity of the shot which remains in a medium close up following her intimately.

Hugh Jackman is incredibly competent as Jean Valjean, he guides the audience with ease, and delivers some impressive vocals, however you can’t help but think that Alfie Boe would have delivered a far more commanding version and be able to hit the correct register as intended (and is the challenge) for numbers such as Bring Him Home. Never the less, out of Hollywood’s hot pickings, there is none more suitable than Jackson who, we must not forget has his roots firmly planted in Musical Theatre.

Pleasant surprises come also from baby faced Eddie Redmayne, who, bar an occasionally distracting “jiggly jaw” as I like to call it, demonstrates that his choir boy days at Eton have served him well, and he embodies Marius with ease and sends an exemplary chill down the spines of the audience throughout Empty Chairs at Empty Tables. Samantha Barks also shines as Eponine, however does not manage to provoke quite as much emotion from the audience throughout On My Own. However this may be down to the uncomfortable shot position given by Hooper throughout this song. Regardless, who would have thought that a spot on BBC’s I’d Do Anything, would have seen her just a few short years later be part of a major Hollywood film.

Helena Bonham Carter and Sacha Baron Cohen delight as Monsieur and Madame Thenadier, and provide the light relief necessary throughout the Screen Shot 2012-12-16 at 11.23.59film. Cohen is particularly standout with his ad-hoc one liners and surprisingly good singing voice. For Carter, although good, you can’t help but think you’ve seen her character multiple times before, as she dons a Tim Burton esq portrayal which is delivered like clockwork. Their biggest number Master of the House, is played for laughs as it should be, but is slightly drowned by the background noise and ambience that some of the particularly funny one liners are somewhat lost on occasions as it could have been one of the most memorable numbers.

The biggest surprise has to be Russell Crowe. Huge skepticism surrounded his casting as Javert, however, although clunky at times, he delivers an impressive performance.

Overall this film rests, as it should, on the ability of its cast members, but Director Tom Hooper brings to life a convincing 19th Century France. Some of the settings, particularly the rounding up of revolutionaries (shot in Greenwich) is visually spectacular, and you feel the excitement building for the big barracade showdown. However, when the time comes to see this spectacle, which on stage is one of the biggest wonders and ores of the production, you are left slightly underwhelmed. The enclosed area of streets in which this is set, very much look like part of a set and takes away from the marvel of the scene we have just seen, this is a shame, because it makes viewing inconsistent and those Les Mis fans who are very familiar with the stage production will be particularly observant in these parts.

Hoopers’ camera angles at times are also interesting. He mixes some of the most simple shots with some which more feel like he’s puffing up his peacock feathers to show his dominance in the film world. Ironically, it is the more simplistic work, which demonstrates his talent more effectively, Screen Shot 2012-12-16 at 11.25.01rather than the more auteuristic attempts. It’s interesting however, seeing what works better on stage than on film. The magic of the theatre is about pushing peoples imagination, and scenes like the sewer are not as impactful in the film version. On the flipside, the visual portrayals in Master of the House really help elevate the song and the comedic element to the scene.

Overall this is a strong attempt at taking this concept to a cinematic audience. The faults are highlighted but are in no way damning to this pleasing production. Never before has anyone brought this musical version of the Victor Hugo novel to the cinema successfully before, and although I think there are far too many strong contenders for best picture at the Oscars this year, I think Les Miserable will have a considerable run at the awards ceremonies.

But whilst we wait for the award based outcome of this film, we can check out some interviews from the New York premiere…which aren’t quite what they seem…