Tag Archives: Leonardo DiCaprio

You’ll be howling at sheer brilliance of The Wolf of Wall Street! Here’s why… #film #review #filmreview

10 Jan

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After you’ve picked yourself up from your chair following the three plus hour rollercoaster ride of entertainment that is The Wolf of Wall Street, you’ll reflect (for hours, possibly even days) on what this film contained before coming to the inevitable conclusion that Di Caprio and Scorsese have a) the best bromance in Hollywood, and b) that The Wolf of Wall Street really is a modern day masterpiece.

Unbelievably, this is a true story and follows the rise and fall of Jordan Belfort a Long Island penny stockbroker who served 36 months in prison for defrauding investors in a massive 1990s securities scam that involved widespread corruption on Wall Street and in the corporate banking world, including shoe designer Steve Madden.Screen Shot 2014-01-10 at 10.35.59

Now this all sounds like thrilling, serious stuff, and of course it is, but cleverly intertwined with this is the knowledge that Jordan Belfort (Leonardo DiCaprio) and his merry band of stockbroker men, lived the most zany, outlandish lifestyle that really does only exist in the movies until their time is up.

Martin Scorsese is back to his very best in this punchy screen sensation that reminds us of the great and the good films from the late 1980’s and early 90’s. It’s hard not to describe this as Goodfellas meets Wall Street where DiCaprio plays our modern day Gordon Gekko to perfection! Although The Wolf of Wall Street is not for the feint hearted (it contains lewd behavior, copious amounts of drug taking, full frontal nudity and enough swearing to send your granny to an early grave) you cannot help but love and laugh through every minute of it!Screen Shot 2014-01-10 at 10.34.43

Proving he’s the most qualified and under awarded man in Hollywood history Leonardo DiCaprio pulls off another stellar performance as Jordan Belfort, from the wide eyed rookie stock broker taken under the wing of Rothschild Bank to the greedy owner of his own unorthodox company, we see a true transformation of character right before our eyes, that will have us laughing and crying at the same time, and secretly urging him to come out OK in the end.

Jonah Hill again is perfectly cast as Belforts’ sidekick Donnie Azoff, the ‘loveable douchebag’ who supports his colleague and mentor to the end (sort of) and is often happy to remain the brunt of the jokes and rakes in the rewards of living this lavish lifestyle laid out for him. Margot Robbie is a surprise as the trophy wife Naomi Lapaglia who dons a fantastic New York accent and bombshell look to not only bring Jordan Belfort to his knees in lust, but to also secure her place as Hollywood hot property. Screen Shot 2014-01-10 at 10.33.48

The only downside to The Wolf of Wall Street is that there are some excellent cameos throughout that you just wish would have hung around longer. Jean DuJardin plays the shrewd and straight talking Swedish banker who appears in the latter part of the film, and is a world away from his silent Oscar winning star in The Artist. But the real master cameo performance is Matthew McConaughey as Belforts’ first boss Mark Hana. In only a fraction of screen time, he captures the essence of the craziness of life on Wall Street in the late 80’s and hooks Di Caprio’s impressionable character onto the biggest drug of all, money. Its outlandishness will have you howling in your seat with laughter and re-creating a certain ‘chest chant’ for days to come!Screen Shot 2014-01-10 at 10.35.11

The Wolf of Wall Street may be sexist, brash, punchy and full of what was wrong with the world pre-crash, but you’ve got to admit once watching this film, that they had one hell of a ball in their work hard, play hard lifestyles. The costumes, the humour, the references and the brilliant acting all captures this era perfectly, and with this creates, as previously stated, a modern masterpiece, three hours promises to whizz by like three minutes and you’ll be grinning and laughing all the way home. This film really has set the bar for 2014.

4.5 Stars

Brand New The Great Gatsby Posters

12 Apr

So who’s excited for the film extravaganza that is The Great Gatsby next month? Well prepare yourself to get even more excited as some new (and gorgeous) posters have just been released.

Enjoy!

 

 

 

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Django Unchained – The D is Silent…

23 Jan

 

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Up for five Academy Awards this year, and already a Golden Globe in the bag for supporting actor Christoph Waltz, Django Unchained really is playing the underdog game well and becoming a strong force to be reckoned with.  With its bold slavery storyline, homage to Spaghetti Westerns and signature Tarantino style, this film see’s its director assemble a stellar cast and return to his Pulp Fiction best.

Screen Shot 2013-01-22 at 09.39.48The film is essentially split into two stories. The first, being the uniting and unlikely friendship between a German Bounty Hunter, Dr. King Schultz (Christoph Waltz), and slave turned bounty hunter Django Freeman (Jamie Foxx).  The second, being the quest to find Django’s slave wife Broomhilda (Kerry Washington) who is being held by a brutal plantation owner in Mississippi.

From the outset, Tarantino puts his personal spin on this big issue of slavery and plants it in the Deep South in an exciting modern Western format. Having heard some time ago about Tarantino’s plans to make this movie, I felt it was an interesting and exciting move, but with unpredictability from audiences, Django Unchained was never going to sit in the middle of people’s opinions. But I am pleased to report that in my book, it is being hailed more as a triumph with controversy rather than a failed attempt.

The many great things about this film begin with the performances. Christoph Waltz shone so brilliantly in Inglorious Bastards and he continues his Screen Shot 2013-01-22 at 09.38.33‘Best Supporting‘ competition campaign in this film. From start to finish he embodies the unassuming Dr. King Schultz with a jolly European elegance that you can’t help but find endearing, even when at his most violent and unforgiving. Jamie Foxx is perfect casting as the titular character, and I doubt there has ever been a remorseless revenge hero quite so straight faced as he is throughout this film – when he finally cracks a satisfied smile in the end scene the relief is welcomed with open arms. Letting Schultz do the majority of the talking on his behalf so he can play the sultry side-kick, allows this duo to work together in harmony as both a ruthless partnership in the first half and with genuine comradery in the second.

In addition to these drivers of the narrative, Leonardo Di Caprio plays so against type in this film it’s genius. Girls who grew up falling in love with him in Baz Luhrmanns’ Romeo and Juliet wouldn’t, after watching this film, entertain being in the same plantation let alone the same room with his repugnant, baby-faced, spoilt and menacing Calvin J. Candie. This role shows DiCaprio switch from upper classed Southern-drawl charmer to manipulating and loathed sadist – a role every actor would have desired but few would have been able to accomplish quite in this way. Just as Django and Schultz have an unlikely partnership, so does Calvin Candie and Stephen (Samuel L. Jackson), the cheeky Head of the Household at Candyland who demonstrates that not all slaves are fighting for the same cause necessarily, and that this is a world where even the slightest bit of privilege may skew the utilitarian factor from his mindset.  Throughout the upcoming awards season, one can only wish that there would have been room for more nominations for supporting cast members as they were all so brilliantly portrayed.

In terms of directing duties, what Tarantino does brilliantly here, is provide not only a great epic American Western with fantastically well thought out Screen Shot 2013-01-22 at 09.37.34characters and intriguing plotlines, but he also shows both the best and very worst of the human spirit – Christoph Waltz’s democratic Dr Schultz, who cared not for the colour of the skin but only the good of the job, and Calvin Candie’s degrading abuse of his slaves show the two extremes here very cleverly. Tarantino also manages to balance the humour, making us laugh at the most absurd scenes and allowing audiences to question and second-guess themselves after viewing the film – the Klu Klux Klan scenario is a good example of this type of humour, and is one of the best scenes of the whole film.

So what is bad about this film? Well, firstly it’s long, just how long is one of the many jaw-dropping moments presented when you check your watch as you peel yourself out of your seat once the lights go up. But actually, upon reflection, you’ll find it hard to discover many wasted minutes. Every part of the dialogue is carefully constructed and thought out, and although there are slower parts, they are necessary to provide a pathway towards the more climactic moments.

Secondly, it’s violent, but what did you expect? It is Tarantino after all, and if you learned anything from Kill Bill, it’s that Tarantino likes adding in the gore element – but in Django Unchained, you wont see any group slaughter scenes in black and white to shade the violence. However, like in some of Screen Shot 2013-01-22 at 09.39.06his earlier films, the end shoot out is almost so grotesque that you don’t wince when watching it, as it doesn’t evoke that kind of reaction because it is so expected of Tarantino. Equally, the more brutal parts are implied rather than shown in full i.e.: the slave and the dogs, so you are shocked by the horror of it happening but not by seeing it on screen. But what we must remember is that this isn’t just Tarantino going for a shock factor joy ride with his film making, in fact, Spaghetti Westerns of the 1960’s indulged in extreme violence, and to pay proper homage to that era Tarantino is bringing some of that cinematic history to the modern stage.

Finally, the extended use of the ‘N-word’ has been steeped in controversy, however when you’re not seeing slaves pulled apart by each other in a death match or set on by dogs it’s a necessary reminder of the horrors of slavery and not a tip toeing premise to hide behind. As with the rest of Tarantino’s portfolio of work, if he’s going to tackle a topic be it Nazi Germany or the Deep South, he does it full throttle.

So should you go watch this film? For Tarantino fans this is a must, when questions started to arise about this director through his Grindhouse homage phase that didn’t quite hit the mark, rest assured that he has steadily been building up to this crescendo, lets hope his future projects maintain this level of courage and craft.