Well things are really starting to take shape for the team at The Reel Deal. Huge thank you to all that have so far been involved. But as you probably know by now, Friday is indeed Film Friday and I’m lucky enough to give you a micro movie review of what’s hot and what’s not at the cinema each week.
So if you want to have your own pocket size guide on what to watch at the cinema, then here it is, Gone in 60 Seconds. Its a short, sharp action packed look at what launches in your local multiplex week on week. This week is no exception, we’ve got testosterone heavy men shouting all sorts of homoerotic sayings in one of the films, a trip to an all star quirky quirky hotel in another, and something shooting straight out of errr…Mexico!
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A gripping thrill rollercoaster of a ride, The Call is an interesting insight into the world of the Los Angeles 911 emergency services.
Starring Oscar winner Halle Berry as Jordan Turner a veteran 911 operator, we watch her journey as she takes a life altering call from a teenage girl played by Little Miss Sunshine herself Abigail Breslin. Not only does this call mean Jordan has to try and guide this girl to safety, she also has to confront a killer from her past and overcome her fears.Cut back and forth between the abduction and ‘The Hive’ (the department for 911 emergency assistants who work away like busy bees) the audience are taken on a tense ride and education as to what it really means to be a 911 operator. Making judgments between protocol and human instinct is a fine line in lifesaving situations, as we see through this film. Halle Berry is back to her finest in the majority of this film, as she showcases a mix of emotions that make the audience empathise with the difficult job she is faced with. Just like her character we understand the stress of the job and the natural (probably female) instincts that she has when faced with a child being abducted, and the consequences that lie ahead should Jordan as the operator put a foot wrong.
We also see a fantastic performance from Abigail Breslin as the victim. We follow her day as a normal girl shopping in a mall with her friend, and then once left alone, gets drugged, abducted and thrown in the trunk of a car by her kidnapper. The most tense and exciting part of the film is the interaction between the victim and Jordan. From the trunk she manages to make a 911 call which initially goes through to a rookie who finds herself way out of her depth and then gets passed on to Jordan. From this point on, you as the audience find out some really clever tricks to try and get yourself rescued from a kidnapping, using everything you can find to discover where you are travelling to, what the car looks like and most importantly anything you can do to pop open that trunk and jump out.
Breslin shows here that she has matured from a child to young adult actor seamlessly. Matching Halle Berry’s ranges of emotions, you watch her go from despair to sheer determination to get herself out of this situation alive. It’s this that makes the first three quarters of this film so engaging to watch…
…And then, sadly, in the last fifteen minutes or so, the film takes a tumble, so prepare yourself for this. After an hour and fifteen minutes of an intense, edge of your seat adrenalin filled thrill ride of a film, The Call sadly falls into the depths of B-Movie status and takes a route so completely left field of the original plot its not only difficult to watch, its also totally disappointing. It’s a shame that the film leaves you with such a sour taste at the end, it had so much promise, but there is still the opportunity to remember the immense film you had watched just before this semi-car crash.
Regardless of it’s ending, The Call is still very much worth a watch. For the majority, it’s an intelligent, intense and exciting film with great performances.
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